Robert Ellis James-Robertson (always known as Ellis) was born in Wales but lived at Worcester from the mid-1950s and travelled extensively around the country building up a large railway collection. In the 1960s a few of Ellis's photographs were published in books and magazines and the credit 'R. E. James-Robertson' may be familiar to some. This book of mainly unpublished colour and black & white photographs has been created entirely from Ellis's North Wales archives, it will appeal to railway enthusiasts, modellers, and those interested in local history. The time period covered is from the mid-1950s through to the mid-1960s with steam being the predominant motive power. Much of North Wales is covered and in addition to BR standard-gauge lines, the narrow-gauge Penrhyn and Padarn slate systems are also seen. Ellis and his wife Norah celebrated their diamond wedding anniversary in 2013, and Ellis passed on in April 2015 aged 92. Their daughters, Louisa and Fiona, contacted film-maker and author Michael Clemens whose late father was a friend of Ellis's. Ellis's collection lives on today at films shows around the country given by the author and now in this second of a number of books using his photographic archive.

Experience a new history of Scotland told through its places. Writers Kathleen Jamie, Alexander McCall Smith, Alistair Moffat, James Robertson and James Crawford pick twenty-five buildings to tell the story of the nation. Travelling across the country, from abandoned islands and lonely glens to the heart of our modern cities, these five authors seek out the diverse narrative of the Scottish people. Follow Kathleen Jamie as she searches for the traces of our first family hearths in the Cairngorms and makes a midsummer journey to Shetland to meet the unlikely new inhabitants of an Iron Age broch. Tour the wondrous and macabre Surgeons' Hall with Alexander McCall Smith, or walk with him over sacred ground to Iona's ancient Abbey. Join Alistair Moffat as he discovers a lost whisky village in the wilds of Strathconon, and climbs up through the vertiginous layers of history in Edinburgh Castle. Accompany James Robertson as he goes from the standing stones of Callanish to the humble cottage of Hugh MacDiarmid - via the engineering colossus of the Forth Rail Bridge. And journey with James Crawford from a packed crowd in Hampden Park, to an off-the-grid eco-bothy on the Isle of Eigg. Who Built Scotland is a landmark exploration of Scotland's social, political and cultural histories. Moving from Neolithic families, exiled hermits and ambitious royal dynasties to highland shieling girls, peasant poets, Enlightenment philosophers and iconoclastic artists, it places our people, our ideas and our passions at the heart of our architecture and archaeology. This is the remarkable story how we have shaped our buildings and how our buildings, in turn, have shaped us.

Michael Curtiz (1888-1962) is considered to be one of the most important directors in film history. "The Casablanca Man" surveys Curtiz's mastery over a variety of genres which included biography, comedy, horror, melodrama, musical, swashbuckler and western, and looks at his relationship with the Hollywood studio moguls on the basis of documentary evidence gleaned from archive research at Warner Brothers, rather than the hearsay on which so much of his reputation rests. This access to the production and financial details of Curtiz's Warner Brothers films from 1926 to 1953 is the most distinctive feature of Jim Robertson's work, most of it never having been made available to the general public. Concentrating on Curtiz's best-known films - "Casablanca", "Angels with Dirty Faces", "Mildred Pearce" and "King Creole" among them - Robertson explores his practical struggles over, for example, screenplays, his use of reality footage in his feature films, and the instinctive visual sense which governed his work.

Hugh Miller was born in Cromarty, Ross-shire in 1802. A self-taught stonemason, writer, social crusader and geologist, his name was known in his lifetime not just in Scotland but across the English-speaking world. This facsimile edition of his classic book, first published in 1841, concerns 'The Old Red Sandstone', an assemblage of rocks in the North Atlantic region, largely of Devonian age. In a pre-Darwinian era, Miller was able to reconcile his geological knowledge with his religious beliefs - he saw geology as evidence, not as disproof, of godly design. His writing is still immensely readable (he was known as 'the poet of geology') and as novelist James Robertson says in his Foreword ' ... if it tells us less than we now know about our planet's geology it tells us much about how we have gained that knowledge, and how science is and can only ever be a part of wider human culture.'

In order for forensic fibre examiners to fully utilize fibre and textile evidence during their analysis, they require not only specialised forensic knowledge but also in-depth knowledge of fibres, yarns and fabrics themselves. Production, both the chemical and physical structure, and the properties of these materials is required in order to determine the value of fibre evidence. This includes knowing production figures, fashion changes, sudden arrivals of new materials, dye variability, and numerous other factors that may have a bearing on the information obtained. Fully updated with the latest advances, Forensic Examination of Fibres, Third Edition continues in the tradition of the First (1992) and Second Editions (1999) as the premier text on the subject of forensic fibre analysis. The international team of contributing authors detail the recovery of the evidence-through the different stages of laboratory examination-to the evaluation of the meaning of findings. The coverage has been considerably expanded, and all material, has been revised and wholly updated. Topics covered include examining damaged textiles, infrared microspectroscopy and thin layer chomatography, and colour analyses. This edition also highlights the critical role of quality assurance in ensuring the reliability of the technical observations and results, and, in doing so, looks at the implications of supervisory managers and labs in the accurate and responsible analysis of such evidence. Features include: Outlining evidentiary process from collecting and preserving the evidence at the crime scene through the laboratory analysis of fibres Detailing the latest developments and emerging technologies including Kevlar and other such advances in fibre technology Coverage of a broad array of fibres both, natural (cellulose, protein, and mineral) and man-made fibres including synthetic, inorganic and regenerated Forensic Examination of Fibres, Third Edition is a much-needed update to the classic book, serving as an indispensable reference to crime scene technicians, laboratory forensic scientists and microscopists, students in police, forensic, and justice science programs.

'What we build always reveals things that are deeply and innately human. Because all buildings are stories, one way or another.' Kathleen Jamie, Alexander McCall Smith, Alistair Moffat, James Robertson and James Crawford travel across the country to tell the story of the nation, from abandoned islands and lonely glens to the heart of our modern cities. Whether visiting Shetland's Mousa Broch at midsummer, following in the footsteps of pilgrims to Iona Abbey, joining the tourist bustle at Edinburgh Castle, scaling the Forth Bridge or staying in an off-the-grid eco-bothy, the authors unravel the stories of the places, people and passions that have had an enduring impact on the landscape and character of Scotland.

How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972.

'A book of such quality as to persuade you that historical novels are the true business of the writer.' Daily Telegraph A gripping, shocking story of history, enlightement and slavery from the bestselling author of THE FANATIC. JOSPEH KNIGHT confirms James Robertson as one of our foremost novelists. Exiled to Jamaica after the Battle of Culloden in 1746, Sir John Wedderburn made a fortune, alongside his three brothers, as a faux surgeon and sugar planter. In the 1770s, he returned to Scotland to marry and re-establish the family name. He brought with him Joseph Knight, a black slave and a token of his years in the Caribbean. Now, in 1802, Sir John Wedderburn is settling his estate, and has hired a solicitor's agent, Archibald Jamieson, to search for his former slave. The past has haunted Wedderburn ever since Culloden, and ever since he last saw Knight, in court twenty-four years ago, in a case that went to the heart of Scottish society, pitting master against slave, white against black, and rich against poor. As long as Knight is missing, Wedderburn will never be able to escape the past. Yet what will he do if Jamieson's search is successful? And what effect will this re-opening of old wounds have on those around him? Meanwhile, as Jamieson tries to unravel the true story of Joseph Knight he begins to question his own motivation. How can he possibly find a man who does not want to be found? James Robertson's second novel is a tour de force, the gripping story of a search for a life that stretches over sixty years and moves from battlefields to the plantations of Jamaica, from Enlightenment Edinburgh to the back streets of Dundee. It is a moving narrative of history, identity and ideas, that dramatically retells a fascinating but forgotten episode of Scottish history.

In this exciting and visually stunning book, the most talented Scottish novelist of his generation teams up with Jill Calder, whose bold and colourful illustrations are a perfect complement to one of the most dramatic tales in Scottish history. In addition to the big set pieces from the Bruce story - not least of course the Battle of Bannockburn - and the other famous elements - such as the murder of the Red Comyn and Bruce and the spider - book is full of accurate historical detail and imaginative touches which offer a fresh and vital perspective on one of the great heroes of Scottish history.

How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972.

This is-for the first time-the full and unedited story behind the sick life and mysterious death of Jeffrey Epstein that is being called one of the most significant scandals in American history He was the billionaire financier and close confidant of presidents, prime ministers, movie stars and British royalty, the mysterious self-made man who rose from blue-collar Brooklyn to the heights of luxury. But while he was flying around the world on his private jet and hosting lavish parties at his private island in the Caribbean, he also was secretly masterminding an international child sex ring-one that may have involved the richest and most influential men in the world. The conspiracy of corruption was an open secret for decades. And then this summer, it all came crashing down. After his arrest on sex trafficking charges in July, it seemed Epstein's darkest secrets would finally see the light. But hopes for true justice were shattered on August 10 this year, when he was found dead in his cell at the Metropolitan Correctional Center, New York. The verdict: suicide. The timing: convenient, to say the least. Now, Epstein: Dead Men Tell No Tales delivers bombshell new revelations, uncovers how the man President Trump once described as a "terrific guy" abused hundreds of underage girls at his mansions in Palm Beach and Manhattan... all while entertaining the world's most powerful men-including President Clinton, Prince Andrew, and Donald Trump himself. How much did they know about his perversions? And did they take part? How might they have helped him to continue his abuse, and to escape justice for it? What responsibility might they have for his sudden, shocking death? And is there a shocking spy and blackmail story at the heart of the scandal? The answers to these questions and more will be explored in Epstein: Dead Men Tell No Tales with groundbreaking new reporting, never-before-seen court files, and interviews with new witnesses and confidants. Combining the very best investigative reporting from investigative journalists Dylan Howard, Melissa Cronin and James Robertson-who have been covering the case for close to a decade-will send shockwaves through the highest levels of the establishment.

Angus is a landscape of dramatic glens and rich farmland, ancient weaving towns and fishing villages, from the city of Dundee in the lee of the Sidlaw hills in the south, and the Grampian mountains in the north. The tales of Angus are as varied as the landscapes they are tied to, told through the years in castles, bothies, tenements and Travellers' tents. Here, historical legends tell of Caterans roaming the glens, Jacobite intrigue in Glenisla and pirates roving the stormy waters off the Arbroath coast. Kelpies, broonies and fairies lurk just out of sight on riverbanks and hillsides, waiting to draw unsuspecting travellers into another world. The land bears memories of ancient battles, and ghosts continue to walk the old roads in the gloaming. In this collection, storyteller and local historian Erin Farley brings you a wealth of legends and folk tales, both familiar and surprising.

Scottish-born Alexander Mackay (1808-1852) spent most of his career as a journalist in Canada and the United States, though he had been called to the bar in 1847. In 1851 he was commissioned by the chambers of commerce of Manchester, Liverpool, Blackburn, and Glasgow to go to India and report on the cultivation of cotton there, especially around Gujarat. He stayed for a year and was on his way back to Britain - his return forced by ill health - when he died at sea in 1852. His Western India, however, was published the following year after it was revised by James Robertson. The book highlights the many impediments to further growth of the Indian cotton trade: the poverty of the cultivators, heavy taxation, outdated planting methods and poor infrastructure, as well as the problem of competition from the booming cotton exports of the United States.

Originally written in the 1440s by Richard Holland, a Scottish cleric who was chaplain to Archibald Douglas, Earl of Moray, The Buke of the Howlat is one of the great poetic gems of fifteenth-century Scots. Believing himself to be ugly, a young owl (howlat) decides to speak to the most handsome bird of all, the peacock, and ask his help so that Nature can change him. But the peacock isn't sure this should be done - after all, Nature doesn't usually make mistakes - and summons a council of birds to make a decision. A huge feast takes place, and Nature herself appears and orders all the birds present to give the owlone of their feathers. But the result is not what they expect. The howlat's initial joy turns to unbearable arrogance at his new found beauty, and drastic action must be taken ...

Selim Aga was eight years old when he was abducted from the Nuba Mountains of Sudan and sold into slavery and auctioned 2000 miles away in Egypt to the highest bidder. Born around 1827 Selim was killed in a war in Liberia in 1875. How then did this slave come to be lecturing to fashionable audiences in London and publishing in the "Geographical Magazine"? James McCarthy has pieced together the life of this remarkable man using Selim's own narrative and those of others such as Sir Richard Burton.

This is-for the first time-the full and unedited story behind the sick life and mysterious death of Jeffrey Epstein that is being called one of the most significant scandals in American history He was the billionaire financier and close confidant of presidents, prime ministers, movie stars and British royalty, the mysterious self-made man who rose from blue-collar Brooklyn to the heights of luxury. But while he was flying around the world on his private jet and hosting lavish parties at his private island in the Caribbean, he also was secretly masterminding an international child sex ring-one that may have involved the richest and most influential men in the world. The conspiracy of corruption was an open secret for decades. And then in the summer of 2019, it all came crashing down. After his arrest on sex trafficking charges in July 2019, it seemed Epstein's darkest secrets would finally see the light. But hopes for true justice were shattered on August 10, when he was found dead in his cell at the Metropolitan Correctional Center, New York. The verdict: suicide. The timing: convenient, to say the least. Now, Epstein: Dead Men Tell No Tales delivers bombshell new revelations, uncovers how the man President Trump once described as a "terrific guy" abused hundreds of underage girls at his mansions in Palm Beach and Manhattan... all while entertaining the world's most powerful men-including President Clinton, Prince Andrew, and Donald Trump himself. How much did they know about his perversions? And did they take part? How might they have helped him to continue his abuse, and to escape justice for it? What responsibility might they have for his sudden, shocking death? And is there a shocking spy and blackmail story at the heart of the scandal? The answers to these questions and more will be explored in Epstein: Dead Men Tell No Tales with groundbreaking new reporting, never-before-seen court files, and interviews with new witnesses and confidants. Combining the very best investigative reporting from investigative journalists Dylan Howard, Melissa Cronin and James Robertson-who have been covering the case for close to a decade-will send shockwaves through the highest levels of the establishment.

And the Land Lay Still is the sweeping Scottish epic by James Robertson And the Land Lay Still is nothing less than the story of a nation. James Robertson's breathtaking novel is a portrait of modern Scotland as seen through the eyes of natives and immigrants, journalists and politicians, drop-outs and spooks, all trying to make their way through a country in the throes of great and rapid change. It is a moving, sweeping story of family, friendship, struggle and hope - epic in every sense. The winner of the Saltire Society Scottish Book of the Year Award 2010, And the Land Lay Still is a masterful insight into Scotland's history in the twentieth century and a moving, beautifully written novel of intertwined stories. 'Toweringly ambitious, virtually flawlessly realized, a masterpiece and, without a doubt, my book of the year' Daily Mail 'A jam-packed, dizzying piece of fiction' Scotland on Sunday 'Gripping, vivid, beautifully realized' The Times 'Engrossing' Daily Telegraph 'Powerful and moving. A brilliant and multifaceted saga of Scottish life in the second half of the twentieth century' Sunday Times 'Brilliant and thoughtful. Eminently readable, subtle and profound' Independent on Sunday 'Bold, discursive and deep, Robertson's sweeping history of life and politics in 20th-century Scotland should not be ignored' Ian Rankin, Observer Books of the Year James Robertson is the author of three previous novels: The Fanatic, Joseph Knight and The Testament of Gideon Mack, which is available in Penguin. Joseph Knight was awarded the two major Scottish literary awards in 2003/4 - the Saltire Book of the Year and the Scottish Arts Council Book of the Year - and The Testament of Gideon Mack was longlisted for the Man Booker Prize, picked by Richard and Judy's Book Club, and shortlisted for the Saltire Book of the Year award.

Classic Ealing comedy. During the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the menfolk of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty!

WINNER OF THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2022 'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .' Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time. In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach. Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community. In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own. News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.

In order for forensic fibre examiners to fully utilize fibre and textile evidence during their analysis, they require not only specialised forensic knowledge but also in-depth knowledge of fibres, yarns and fabrics themselves. Production, both the chemical and physical structure, and the properties of these materials is required in order to determine the value of fibre evidence. This includes knowing production figures, fashion changes, sudden arrivals of new materials, dye variability, and numerous other factors that may have a bearing on the information obtained. Fully updated with the latest advances, Forensic Examination of Fibres, Third Edition continues in the tradition of the First (1992) and Second Editions (1999) as the premier text on the subject of forensic fibre analysis. The international team of contributing authors detail the recovery of the evidence-through the different stages of laboratory examination-to the evaluation of the meaning of findings. The coverage has been considerably expanded, and all material, has been revised and wholly updated. Topics covered include examining damaged textiles, infrared microspectroscopy and thin layer chomatography, and colour analyses. This edition also highlights the critical role of quality assurance in ensuring the reliability of the technical observations and results, and, in doing so, looks at the implications of supervisory managers and labs in the accurate and responsible analysis of such evidence. Features include: Outlining evidentiary process from collecting and preserving the evidence at the crime scene through the laboratory analysis of fibres Detailing the latest developments and emerging technologies including Kevlar and other such advances in fibre technology Coverage of a broad array of fibres both, natural (cellulose, protein, and mineral) and man-made fibres including synthetic, inorganic and regenerated Forensic Examination of Fibres, Third Edition is a much-needed update to the classic book, serving as an indispensable reference to crime scene technicians, laboratory forensic scientists and microscopists, students in police, forensic, and justice science programs.

LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .' Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript and by echoes that travel across time. In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach. Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community. In the present day, young Lachie whispers to Maja of a ghost he thinks he has seen. Reflecting on her long life, Maja believes him, for she is haunted by ghosts of her own. News of the Dead is a captivating exploration of refuge, retreat and the reception of strangers. It measures the space between the stories people tell of themselves - what they forget and what they invent - and the stories through which they may, or may not, be remembered.

Nearly 10,000 young people in Scotland are homeless. Some we see on the streets, thousands more are 'hidden' - sofa surfing, in B&Bs and living in unsafe homes. Every one of them has their own story to tell. For 30 years Rock Trust has been listening to their stories and helping them find a home. In All the Way Home, some of Scotland's leading authors have come together with young people to mark this anniversary of Rock Trust's urgent, ongoing work. Across first-hand accounts, poetry and fiction, this anthology brings to life the visible and invisible realities of home and homelessness, of family and belonging.